Ryder
In 2002, the world famous Pompidou Centre in Paris devoted a headline exhibition not to an artist but a to literary critic, and that critic was Roland Barthes. For the purposes of penetrating the veneer of mystique around Ryder, we must take as our reference text Barthes’ critical essay entitled ‘Death of the Author’. In it, Barthes surmises that one must disengage with the author to appreciate text in its truest form.
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